Poetry

Hear Michael reading his work for the National Poetry Archive at www.poetryarchive.org. There are several free downloads of poems on the site, and a CD to buy, which includes the full one-hour reading.

Mancunia (2017)

Mancunia is both a real and an unreal city. In part, it is rooted in Manchester, but it is an imagined city too, a fallen utopia viewed from formal tracks, as from the train in the background of De Chirico’s paintings. In these poems we encounter a Victorian diorama, a bar where a merchant mariner has a story he must tell, a chimeric creature – Miss Molasses – emerging from the old docks. There are poems in honour of Mancunia’s bureaucrats: the Master of the Lighting of Small Objects, the Superintendent of Public Spectacles, the Co-ordinator of Misreadings. Metaphysical and lyrical, the poems in Michael Symmons Roberts’ seventh collection are concerned with why and how we ascribe value, where it…

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Selected Poems (2016)

This selection of the best poems from six remarkable collections reveals that all the strength and sensuality and strangeness is in there from the start. This is a metaphysical poetry for our age: rooted, steeped in the physical, but stretching for lyric completion, philosophical clarity, emotional truth. These poems achieve their seriousness not through hectoring argument but through their lightness of touch, their wit, their tenderness, their music. Roberts has always been a poet who, in the words of Lavinia Greenlaw, ‘inspires profound meditation on the nature of the soul, the body, the stars and the heart, and sparks revelation’. He is also formally and thematically diverse, restlessly exploring a wide range of subjects from Cold-War fear to love lyrics, genetics to…

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Drysalter (2013)

Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines. Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul. From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning,…

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The Half Healed (2008)

The poems in Michael Symmons Roberts’s fifth collection move in a world riven by violence and betrayal, between nations and individuals. As ever, this is a metaphysical poetry rooted in physical detail – but the bodies here are displaced, disguised, in need of rescue. A man in a fox suit prowls the woods afraid of meeting true foxes, while a vixen dressed as a man moves among the powerful at society soirées. God no longer ‘walks in his garden in the cool of the day’, but drives through a damaged city in the small hours. At the same time a couple celebrate armistice with an act of love in an anonymous hotel room. As the judges of the Whitbread Prize…

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Corpus (2004)

Corpus – Michael Symmons Roberts’ Whitbread-Prize winning fourth collection – centres around the body. Mystical, philosophical and erotic, the bodies in these poems move between different worlds – life and after-life, death and resurrection – encountering pathologists’ blades, geneticists’ maps and the wounds of love and war. Equally at ease with scripture (Jacob wrestling the Angel in ‘Choreography’) and science (‘Mapping the Genome’), these poems are a thrilling blend of modern and ancient wisdom, a profound and lyrical exploration of the mysteries of the body:’ So the martyrs took the lamb./ It tasted rich, steeped in essence/ Of anchovy. They picked it clean/ And found within, a goose, its pink/ Beak in the lamb’s mouth like a tongue.’ Ranging effortlessly between…

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Burning Babylon (2001)

In his first two collections – Soft Keys and Raising Sparks – Michael Symmons Roberts established himself as a lyric and dramatic poet with metaphysical concerns. In this new collection, those concerns are as strong as ever, but rooted in a specific place and time. These poems describe the personal and public rise and fall of Greenham Common. The public story, as one of the most contentious missile bases of the cold war, ended with fences removed, buildings demolished, the base returned to common land. The private history emerges from the poet’s own experience, as an adolescent living a mile away from Greenham Common at the height of its powers. That third community of locals – not the USAF or the peace camps -…

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Raising Sparks (1999)

After his first collection – SOFT KEYS – Michael Symmons Roberts was hailed by Les Murray as ‘a poet for the new, chastened, unenforcing age of faith that has just dawned’. The metaphysical concerns of that first book are central to this new collection, written in a language at once philosophical, sensuous and lyrical. From a doctor who washes lungs to the structure of genes, from mythical hounds born to fire to a cat’s-eye souvenir from a smashed-up road, the scope of this collection is impressive. Whatever the subject, these poems are concerned with elemental themes, with the mapping of experience, and the search for sparks of life at its heart. At the heart of RAISING SPARKS are two sequences…

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Soft Keys (1993)

When Corpus won the Whitbread Poetry Award, the judges described it as ‘an outstanding, perfectly weighted collection that inspires meditation on the nature of the soul…reading it feels like making an exciting discovery and coming back to an acknowledged classic all at once.’ Michael Symmons Roberts’ first book, Soft Keys, was the original and most exciting discovery of all. The poems in Soft Keys engage in a search for meaning and order in the everyday and in the extraordinary – a locust officer tracking swarms in an African desert, a hobbyist building a replica of the world out of matchsticks, a chance encounter with the French mystic Simone Weil playing video games in a Torquay arcade… Richly inventive, and written in a wide diversity of…

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